Library
For more information or for appointment contact us at: info@salamongallery.com
We have a vast collection of books, auction catalogues, and specialised magazines that have been catalogued in a database - about 15.000 titles. Collectors and scholars may consult the database online through our website.
If, after finding references to books, articles, artists and authors, you wish to make an appointment to come consult the material firsthand, we are more than happy to welcome you.
Please note that the books and magazines in the gallery's library are for study only and are not available for sale or to borrow. For more information or to schedule an appointment please contact Simona at: sz@salamongallery.com
Print Quarterly
1988, vol. V, n. 3, p. 294
Ridney W. Shirley
The Earliest Printed Map
Venezia Arti
Anno VI, 1992, n° 6, pag. 5
I. Andrescu Treadgold
The early byzantine reliquary discovered at Torcello
Master Drawings
1975, Vol. XIII, n° 2 , pag. 115
Adrian Wilson
The early drawings for the Nuremberg Chronicle
Print Quarterly
1986, vol. III, n. 4, p. 287
Reba and Dave Williams
The Early History of the Screenprint
Master Drawings
1999, Vol. XXXVII, n° 1, pag. 55
Carmen C. Bambach
The Early Italian Drawings in Berlin
Print Quarterly
1985, vol. II, n. 2, p. 105
Jeremy Lewison
The Early Prints of Ben Nicholson
Master Drawings
2010, Vol. XLVIII, n° 1 pag. 39
Holm Bevers
The Early, rembrandtesque Drawings of Gerbrand van den Eeckhout
Master Drawings
2010, Vol. XLVIII, n° 1 pag. 4
Peter Schatborn
The Early, rembrandtesque Drawings of Govert Flink
Print Collector (I Quaderni del Conoscitore di Stampe)
Milano, Salamon e Agustoni, November-December 1974, n° 10, p.34
Marina Kolasinski
The Edmond de Rothschild collection
Paragone Arte
Luglio Settembre Novembre 1996, Anno XLVII, n° 557 - 559 - 561, terza serie 8 - 9 - 10
David Tabbat
The eloquent eye: Roberto Longhi and the historical criticism of art
Print Quarterly
1990, vol. VII, n. 4, p. 467
David Alexander
The English Book Illustration
Print Quarterly
1990, vol. VII, n. 4, p. 463
Celina Fox
The English Satirical Print
Print Quarterly
1991, vol. VIII, n. 1, p. 40
Christian Schuckman
The Engraver of the First Folio Portrait of William Shakespeare
Print Quarterly
1986, vol. III, n. 2, p. 116
Wolfang Seitz
The Engraving Trade in Seventeenth-and Eighteenth-Century Ausburg: A Cecklist
Master Drawings
1970, Vol. VIII, n°1, pag. 53
Keith Andrews
The Erasmus exhibition at Rotterdam
Nuovi Studi
2000-2001, n° 9 pag. 17
Everett Fahy
The Este predella panels and other works by the Master of the Fiesole Epiphany
Print Quarterly
Volume XVII n° 4, December 2000, page 420
Pat Gilmour
The Etching Revival in England
Print Quarterly
1990, vol. VII, n. 4, p. 459
Michael Kitson
The Etchings of Claude Lorrain
Print Quarterly
1992, vol. IX, n. 1, p. 56
Michael Podro
The Etchings of Jane Joseph
Print Quarterly
1991, vol. VIII, n. 3, p. 235
David Woodward
The Evidece of Offsets in Renaissance Italian Maps and Prints
Master Drawings
2000, Vol.XXXVIII, n°3, pag. 261
Diane de Grazia
The Evolution of a collection: Drawings in Cleveland
Print Collector (I Quaderni del Conoscitore di Stampe)
Milano, Salamon e Agustoni, November-December 1974, n° 10, p.28
Ferenc Galambos
The ex libris by Durer
Master Drawings
1968, Vol. VI, n°1, pag. 47
Julius S. Held
The exhibition from Switzerland
Master Drawings
1966, Vol. IV, n°3, pag. 305
Terisio Pignatti
The exhibition of Tiepolo drawings at Udine
Print Collector (I Quaderni del Conoscitore di Stampe)
Milano, Salamon e Agustoni, Autumn-Winter 1972, n° 0, p.36
P. Petazzi
The Expressionists
Print Quarterly
Volume XVI n° 1 march 1999 pag 3
Stephen Coppel
The Fauve Woodcut
Print Quarterly
1990, vol. VII, n. 4, p. 424
Peter Kruger
The Feu d'artifice by Claude Lorrain
Studi di Storia dell'Arte
n. 29, 2018, pag. 27
Joseph Polzer
The Figline Master Revisited
Print Collector (I Quaderni del Conoscitore di Stampe)
Milano, Salamon e Agustoni March-April 1975, n° 12, p. 6
Benvenuto Disertori
The first century of etching
Print Quarterly
1993, vol. X, n. 4, p. 364
Sean Shesgreen
The First London Cries